La cultura en el campo de las ideas (1973 - 1985): prácticas y discursos de la institucionalidad de la dictadura chilena y el movimiento artístico-cultural de resistencia (UNAC y CADA)
Keywords:
cultura, políticas culturales, dictadura cívico-militarAbstract
Researchers on cultural politics have not paid attention to the foundational ideas that, historically, have directed institutional decisions about culture. This article explores the conceptual delimitations of culture during the Chilean dictatorship. I will explore ideas around the concept of culture in artworks and discourses from both the Chilean dictatorship and counterculture groups, such as UNAC and CADA. By focusing on the interplay between practice and discourse, this paper analyses how cultural ideas have continued and changed throughout time, based on Gabriel Salazar's definition of culture-object and culture-subject.
Downloads
Published
How to Cite
Issue
Section
License
Revueltas. Revista Chilena de Historia Social Popular publishes exclusively under the Creative Commons CC BY NC SA 4.0 license, which requires:
- Attribution: The authorship of each material must be acknowledged, meaning the author's name must be displayed in a visible location. Likewise, the source must be cited, indicating an electronic address.
- Non-commercial: All materials published by the journal are distributed free of charge. The journal does not allow third parties to use the material for commercial purposes. Many of the publications are funded by public resources, and the journal publishes them free of charge to ensure wide distribution. Any commercial use of the publications is strictly prohibited.
- Share alike: Anyone is guaranteed the rights described in the "Open Access Policy" section, but must always respect the license under which the material is published. This requires that any use of our material must follow the same license.
- International: Our license ensures that the material is available without regional restrictions.
The copyright of each article acknowledges the authorship of its writers, who may use the material under the terms established by the license.
